Just finished designing and printing 1,800 Rabbit in the Moon invitation sets for Balboa Park’s Japanese Friendship Garden, in San Diego. These invitations are for the garden’s 10th Annual Festival of the Harvest Moon. Invitations, response cards and envelopes were letterpress printed using black ink. Garden volunteers will be adding a strip of brightly colored washi paper to add the finishing touch.
Kelly from Paper Stories organized an awesome letterpress swap. The idea is for a bunch of letterpress printers to trade their prints with each other. I thought it would be a fun idea to participate, but unfortunately, I didn’t realize that my timeline would be cut so short because of our quick move up to Washington. We literally had less than a weeks notice to pack and get ready for the move! Aaahh! Time was of the essence and I did not have time to send out for plates. Determined to participate in the swap, I repurposed an old design concept I had created for Suburban Riot tees and proceeded to hand carve my design out of a spare linoleum block.
Sadly, the carved up block didn’t hold up too well in my Pilot. Perhaps the lines got too thin from all the pressure of each pull. I really wish I had given myself more time to design out a custom piece for the swap. I was literally dropping these off at the post office on the way to the airport. While letterpress is a rush for me, I wish I didn’t have to rush through this one. I’ll have to do another swap to redeem myself. Can’t wait to see the awesome prints from the trade!
I used MasterP to print up this set of 24 personalized note cards as a special order on Etsy. The not-so-awesome part was discovering that the name of the recipient was spelled incorrectly. Fortunately, I caught the error before shipping this sale to Miss Arnao. Unfortunately, I really liked the way the first set printed up, although I preferred the composition of the second. The first and last photos below are from round 1, which I’ll call the “practice” round, while the step-by-step photos show round 2, with the better composition. Hello, it’s Brittany, not Brittney.
I got a call from my good friends over at Roxy. They were in need of 750 holiday cards printed up: 2/1 + envelopes and needed them out asap. I was in the middle of printing up Maeden and Derwyn’s wedding invitations, but I was happy to accept the job. Once things got going and I did the math, I realized I was in for a rough week. For these holiday cards alone, I was about to crank my left arm and pull my trusty little Pilot’s lever over 3,000 times in the span of several days. Lucky for me, Lieutenant Price had decent rollers and was up for printing the job.
On a dark and stormy evening, the Wednesday before Thanksgiving, with friends awaiting my arrival at home, I made the trek out to Vernon, where I ordered and picked up the lot of parent sheets of Crane Lettra. 100% cotton. The good stuff.
This is what Lt. Price looks like all covered up in metallic gold ink and ready to go. After printing up 750 of the gold on the front panel, then the red tracks, and finally the inside text, it was then time to get these bad boys to the bindery for one last step… scoring on a Heidelberg.
3,000+ cranks later…
I would have scored these myself, but this run was a bit large for me. I got help with scoring from Ed, over at Afana Printing, up in Signal Hill. In case you were curious, here’s what scoring on a Heidi looks and sounds like.
Thank you for visiting my design and letterpress blog. Here, I will be posting my experiments, solutions and an occasional reaction to the world around me. I hope to document my chronicles as a designer, my adventures as a typophile, and my trials and errors with one of my first loves—letterpress. enjoy
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